London Fox is a Black and Mexican conceptual designer currently based in Chicago, originally from Los Angeles. He explores digital fabrication as a tool for materiality and irony in many forms, including science. At the core of Fox’s work is irony across mediums—architectural modeling, sculpture, sound, and digital animation—to interrogate the aesthetics of permanence, burden, and survival. He creates digitally-rendered architectures and sculptural systems that appear polished, even optimized—but are conceptually designed to contradict their purpose. In other words, irony becomes a tool of assessment.
Themes of housing insecurity, mental health, and radicalized poverty have informed Fox’s trajectory from early hyperrealist and Neo-Expressionist drawing and painting into eco-critical and architectonic sculptural practices. Today, his work explores kinetic systems, anti-monuments, and Sci-Art intersections through tools like Rhino, Grasshopper, CNC, and Ladybug environmental modeling. He creates work to interrogate the aesthetics of info mapping and environmental modeling, researching relevant topics and shaping them through data rather than as passive metaphors.
Science is a vital component of this practice; Fox’s current research focuses on the substance of things often overlooked: food, heat, shelter, and the systems that hold contradictions. Recent projects involve transforming data into architectural lopsided ergonomic shapes, using materials like sweet potatoes, mushrooms, and kale as both subject and system. These elements are mapped, simulated, and visualized through thermal behavior, solar cycles, and spatial redistribution.
Recent exhibitions for Fox include Thesis Show III: Talking Through Tin Cans (2024), Jury Exhibitions (2024), the Elaine Heumann Gurian Opening Exhibition (2023), and Art Bash at Downtown Chicago’s SITE Gallery (2023). He is a recipient of multiple academic honors, including continuous placement on the Interlochen Honor Roll (2022–2025) and a Buonanno Scholarship nomination.
Across all mediums, Fox explores how beauty can exist within decay, how design might serve as a form of care, and how disruption—not resolution—is the most honest form of aesthetics. Through mobile installations, overflow sculptures, and digital spatial experiments, he makes work for the roots of irony and his own interest in making any topic he finds interesting relevant in today’s world. Fox intends to lead a collective working on arbitrary problems that use digital programs, problem-solving, fabrication skills, and conceptual thinking in the same way that Forensic Architecture reexamines and dissects things.
London Fox 